“Su Zuo†furniture accounts for a large proportion of Ming style furniture and is the representative of Song Dynasty furniture art. The Ming Dynasty "Su Zuo" furniture production is stressful, the material is real, the shape is generous, concise, structural science, and is good at selecting ingredients. In the Qing Dynasty, with the changes in social atmosphere, “Su Zuo†furniture began to change in a cumbersome and slick direction, and due to the lack of wood materials, the “Su Zuo†craftsmen mostly cherish the wood as gold and carefully calculated. This is quite different from the thickness of the "Guang Zuo" furniture materials. Since ancient times, people have explained the beauty of the furniture of "Su Zuo". Why is she beautiful and where is beauty? In this issue, we will take the chair as a representative and appreciate the “beauty†of Su Zuo furniture.
First, the abstract beauty: the Ming Dynasty, "the Soviet Union as" the core of the chair
First, let's look at the following classic "Su Zuo" chairs:
1 , four out of the official hat chair (huanghuali)
2 , Nanguan Hat Chair (Huanghua Pear)
3 , rose chair (huanghuali)
Post-review comments: The common characteristics of the above three chairs: highly concise and abstract, almost all of which are line and surface, extremely concise, four or five lines plus one or two faces, constitute a beautiful chair.
Where is the beauty: The most important artistic means for the "Su Zuo" chair in the Ming Dynasty to be expressive is abstraction. Because of the mastery of the form of beauty and the law of abstraction, the various types of plastic arts of the "Su Zuo" chair have been refined from the beauty of the mahogany itself, and have been highlighted.
Second, the formal beauty: the Ming Dynasty, "the Soviet Union as" the value of the chair
The part of the beauty of the "Su Zuo" chair form of the Ming Dynasty: it is the "point". The point is the most basic structural unit of the "Su Zuo" chair of the Ming Dynasty, which is the cross section of the chair line.
(Points and lines form a meaningful spatial form)
In a chair, the point can only appear in one form, just like a person wearing clothes, the color of a dress should not exceed three, otherwise it will give people a sense of clutter. The "Su Zuo" chair of the Ming Dynasty is definitely a wonderful piece of art. Her lines are round and straight, and her elasticity and tension, points and lines form a meaningful space for the chair. As the space changes, the original curve becomes a straight line, and the original line becomes a curve.
(The line of the 丞 phase chair, round and straight)
(Line of Nanguan hat chair, full of tension)
A beautiful Ming "Su Zuo" chair is a three-dimensional, transparent, abstract image; it is a living structure built by dynamic lines; when combined with the environment, it produces rich The changing spatial contours, step by step, and the beauty of the endless flavor.
Third, the beauty of detail: the realm of the "Su Zuo" chair in the Ming Dynasty
Speaking of Ming Dynasty furniture, people's first impression is simple and concise. In fact, the so-called simplicity is compared to the Qing Dynasty furniture. Compared with the furniture of the previous generation in the Ming Dynasty, it actually added a lot of artistic details, and there is no simplification. Therefore, the Ming Dynasty "Su Zuo" furniture will also engrave a variety of patterns, such as Ganoderma lucidum, such as the Italian pattern, the dragon pattern, the dragon dragon pattern, the flower pattern, the bird pattern, the landscape character pattern, etc., all of which are transparent compared to the previous generation. More attention to detail in the craft.
(This "èžé¾™çº¹" is the pattern on the "Huanghuali Nanguan Cap Chair" carved on it)
The spirit of the development of furniture crafts in the Ming Dynasty is actually to strive for excellence, and to pursue the beauty of overflowing elegance in the innocent details. For the "Su Zuo" furniture of the Ming Dynasty, even if it is a simple wooden strip, Su Zuosmith will pursue the artistic art of the line, and the line art is the aesthetic expression of the Ming Dynasty furniture craft.
(The pair of Tonghua board teacher's chairs is a unique art treasure. The design and carvings on the back and sides of the chair are very eye-catching.)
From the Ming Dynasty to the present, the ancients accumulated more and more aesthetic experience during the evolution of the millennium. Regardless of the form or the ornamentation, the common feature of the expression of these arts and crafts is the embodiment of the ancients' pursuit of elegance.
Fourth, Ming and Qing "Su Zuo" boutique display
(Purple rosewood soft drawer rose chair)
(five-screen bed chair)
(Old Mahogany Round Table)
(Old mahogany Xixiangji painting table)
[ after feeling]
Qingxin's woody fragrance, beautiful wood grain, simple and generous shape, exquisite and exquisite workmanship, moist and quaint patina... "Su Zuo" furniture inherits the tradition of simple and elegant furniture, rigorous craftsmanship and beautiful shape in the Song Dynasty. Its design and production characteristics can be summarized in six words: "used, elegant, still fine". “Su Zuo†furniture carries the accumulation of thousands of years of history and culture. Every piece of “Su Zuo†furniture is telling the story, as if returning to the Da Ming Wan Li.
Single Wave Washer,Single-Layer Wave Springs,Nested Wave Spring,Multi-Layer Standard Wave Springs
Ningbo FLK Technology Co., Ltd. , https://www.flk-global.com